Jens Masmann

Et in Arcadia ego

Yesterday’s dreams about tomorrow are today’s reality.

The future looked bright, at least better than the past.

Paradise can be seen as the nal, desired future.
Urban utopias are an attempt to bring society close to that nal future.
They are to be implemented by setting up structures and patterns.
Those structures and patterns are formal and physical, as well as intellectual and conceptual.
But people accepting given urban patterns and structures are the exception, not the rule.
The interesting point is, whether their interaction is creative or destructive. So people, by their dealing with an environment either reinvent or destroy older urban structures.
In the second half of the twentieth century every decade tried to shape Lisboa’s urban life in a new way, from the early sixties, when architecture delicately showed the design of a modern society, up to the eighties, when the kitsch paradise of consumption society reached the city, and the nineties, when the Expo introduced international cool.
Lisboa is a city with oating density: Extremely tight areas are followed by empty, waste places, where the city is fading into abstraction. People somehow seem to accept those vacuum areas. They are like a buffer between different urban blueprints. Sometimes they are used in an informal manner, sometimes they are just blind spots.

When walking the streets of Lisboa, I probed the traces of the past decades with my camera, in order to nd out what happened on the way from utopia to reality.

After meeting Sonia and seeing her inspiring work, which is about patterns and structures as well – but going into a different scale – it became clear soon, that mixing our two concepts would add the missing parts to each others work – so we just did.

 


 

Jens Masmann studied photography at the Staatliche Fachakademie für Fotodesign in Munich, Germany, which was founded in 1900.
For his nal exam in 1995 he worked on the topic of fading socialist urban structures at Berlin Alexanderplatz.
After attaining his degree he moved to London and continued the preoccupation with his main topic, the megacity.
The London body of work was exhibited in Berlin, Frankfurt and other german cities and is now part of the Commerzbank art collection.
In 2014 Jens Masmann cofounded the selfpublishing artist ́s platform Million Books and attended several international photobook festivals since then. Photobooks now are the core medium for his work. Since 2014 Jens Masmann has been lecturer for photography at the University of applied Sciences of Augsburg, giving international courses.

 

 

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